Fine art photographer · Berlin

Jan Madeus

From painting on canvas to photographing façades — a short account of how the work found its way to colour, structure, and the space between them.

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Behind the lens

From painting to façades

Jan Madeus (Krzysztof Jarzebinski), fine art photographer, Berlin
Jan Madeus, Berlin

Jan Madeus is a fine art photographer based in Berlin. He trained as a painter at the Academy of Fine Art, and that training still decides everything — he approaches a building the way one approaches a canvas: frontally, patiently, until a wall stops being a wall and becomes colour and structure.

His central body of work, Fremde Fassaden, takes modernist and brutalist façades in Berlin and shifts their colour into flat, abstract fields — colour-shifted architecture. A second series, A Metamorphosis, holds objects before and after time has worked on them, and was awarded Silver in the Conceptual category at the 1839 Awards. The images stay deliberately minimal: form, light and colour, nothing staged.

A Metamorphosis — Pear, 2026, diptych by Jan Madeus A Metamorphosis — Apple, 2026, diptych by Jan Madeus A Metamorphosis — Pepper, 2026, diptych by Jan Madeus

From A Metamorphosis, 2026 — each diptych holds the same body twice, whole and after time has worked on it. Awarded Silver in the Conceptual category at the 1839 Awards.

The photograph holds the passage, not the object — matter made visible in the act of giving way.

A Metamorphosis · series statement

The façade series is ongoing. Most frames are made in Berlin, with occasional detours — Duisburg, Visby, the Isle of Man — wherever a surface holds its colour long enough to be photographed.

The subject

Façades

Modernist and brutalist buildings in Berlin, photographed head-on. The work strips away their function — no people, no sky, no perspective tricks — until only the plane, its colour and the light across it remain.

The method

Colour as subject

A painter’s habit carried into photography: standing in front of a surface until it turns abstract, then shifting its colour. The result reads as much as painting as document — flat, reduced, quiet.

The prints

Signed editions

  • Hahnemühle Photo Rag 308 — signed and numbered by hand.
  • Editions of 15, 10 or 5 — once sold, never reprinted.
  • Sold directly — each with a Certificate of Authenticity.
Track record

Selected exhibitions & awards

Jan Madeus has exhibited since 1986, for much of that time under his birth name, Krzysztof Jarzebinski. Trained as a painter and printmaker at the Academy of Fine Art in Kraków and long based in Berlin, he was for years a member of the BBK Berlin — the professional association of visual artists — and has worked across painting, printmaking and photography.

Selected exhibitions

  • 2017Bunte Haut — solo, Projektraum art.endart, Berlin
  • 2001Scherbenschnitte — with Michael Speier, Kunstverein Schorndorf
  • 1999durchblicke — Neues Kunsthaus Ahrenshoop
  • 1997Contemporary Polish Book Art — Polish Institute, Berlin
  • 1996Kunsthaus Berlin-Neukölln
  • 1994Mini Print International, Barcelona
  • 1986Polish Contemporary Painting, Szczecin

Awards & honours

  • 20261839 Awards — Silver, Conceptual (A Metamorphosis)
  • 1999SüdwestLB Printmaking Prize, Stuttgart
  • 1999Käte Dorsch Foundation work grant
  • 1995Anne Birman Photography Prize, Gera
Common questions

About the work

Who is Jan Madeus?

Jan Madeus is a fine art photographer based in Berlin, born Krzysztof Jarzébiński. Trained as a painter and printmaker, he photographs modernist and brutalist façades head-on and shifts their colour into flat, abstract fields. The work is sold as signed, numbered editions on Hahnemühle paper.

What is Fremde Fassaden?

Fremde Fassaden is Jan Madeus’s central series. He photographs modernist and brutalist façades in Berlin frontally, without people or sky, then shifts their colour until the wall reads as a plane of colour rather than a building — an approach he calls colour-shifted architecture.

Is Jan Madeus an architecture photographer?

He photographs architecture, but as fine art rather than documentation. Where an architectural photographer records a building for its owner, Madeus treats the façade as a surface — frontal, unpeopled, reduced to colour and light — closer to painting than to a record of the structure.

What is “A Metamorphosis”?

A Metamorphosis is a series of diptychs that hold the same object twice — whole, and after time has worked on it. It was awarded Silver in the Conceptual category at the 1839 Awards in 2026. Like the façade work, it stays minimal: form, light and colour, nothing staged.

What makes his work fine art rather than a photograph of a building?

The subject is colour and surface, not the building. Madeus stands in front of a façade until it turns abstract, then shifts its colour, so the image reads as much as painting as document. There are no people, no sky and no perspective tricks — only the plane and its light.

Where can you see or buy Jan Madeus’s work?

The work is shown at janmadeus.com and sold directly as signed, numbered editions on Hahnemühle Photo Rag 308, in editions of 15, 10 or 5, each with a Certificate of Authenticity. Enquiries go by email to info@janmadeus.com; there is no automated checkout.

Jan Madeus

Krzysztof Jarzebinski, Berlin. Studied painting and graphic art; works between architecture and abstraction. Series: Fremde Fassaden and A Metamorphosis. 1839 Awards — Silver, Conceptual, 2026.

Fine art prints are produced as signed, numbered editions on Hahnemühle paper. Editions, sizes and prices on request.

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