Photographic Series

Four photographic series, made between Berlin, Duisburg, Gotland and the Isle of Man. They share a method rather than a subject: photograph a surface long enough and it stops describing the thing it belongs to. What remains is colour, edge and light — which is where the picture actually starts.

A purple and a yellow painted wall meeting under a blue sky, Berlin — from the Fremde Fassaden photographic series

Colour · 18 photographs

Fremde Fassaden

Façades, walls and painted surfaces, photographed head-on in Berlin, Duisburg and Visby. Repair layers, patched render and old paint read as composition once the building around them is cropped away.

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Roof parapet with a ladder and two doves, colour-shifted — from the series Das Haus gegenüber

Colour · 6 photographs

Das Haus gegenüber

One apartment block in Berlin-Kreuzberg, seen from the same window over months. The frame never moves; only the light does. Every trace of habitation is taken out, leaving a surface passing through a year.

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Diptych of an apple cut open, from the Metamorphosis series

Colour · 6 diptychs

Metamorphosis

Fruit, cut and photographed as pairs. Each diptych holds one object in two states, so the change is not narrated but simply placed side by side and left to the viewer.

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A single orange triangle of paint on a white interior wall — from the Abstract series

Light and shadow · 13 photographs

Abstract

Photographs that have given up their subject: water, smoke, cast shadow and painted geometry, kept as flat planes of tone. Mostly black and white, now and then interrupted by a single block of colour. Nothing staged, nothing composited — found and framed tightly.

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All four series are available as archival pigment prints in editions. Sizes, paper and pricing on request — get in touch.